Amc clearview movies times8/1/2023 ![]() These are major advantages in the country’s most competitive art-house market, where distributors are willing to screen small films at only one theater per zone-in this case, Manhattan below 14th Street. To fix it, IFC aspires to release small films with just one wave of ads and reviews, “instead of A markets, B markets, C markets.” The old At the Angelika show will now be shot here and rebranded At the IFC Jon Favreau’s chat show Dinner for Five, Sehring says, will likely be filmed in the IFC restaurant. “The independent-film distribution model is broken,” says Sehring. A top-notch movie theater, in other words, that could launch art films into the great ’burbs beyond, via Dolan’s cable channels and video-on-demand. “The directive was, Make it IFC’s Radio City,” says Sehring. ![]() Cablevision held on to the lease, and Dolan saw an opportunity. It’s owned by IFC Entertainment (the IFC network, IFC Films), which is a subsidiary of Rainbow Media (AMC channel, MSG), which is a subsidiary of Cablevision-which owns the Knicks and the Clearview Cinemas chain that let the Waverly lapse into disrepair in the first place. ![]() The IFC Center isn’t that independent, of course. “This was really the vision of Jim Dolan, the CEO of Cablevision,” says Sehring-not the first thing you’d expect to hear about an art house. On the heels of that film’s Cannes awards, the opening is “a perfect storm,” says IFC Entertainment president Jonathan Sehring-an acclaimed release produced and distributed by IFC, showcasing the Center’s synergistic ambitions. ![]() And a midnight series pays tribute to the theater’s Rocky Horror history, beginning with William Lustig’s notoriously violent Maniac.īut on June 17, all three screens will open with Miranda July’s terrific Me and You and Everyone We Know. Vanco says the theater will screen restorations of classics-“for the Criterion geeks”-beginning with Japanese icon Yasujiro Ozu. A monthly programming series touts guest curators like novelist Jonathan Lethem a nebulous “advisory board” includes Steven Soderbergh and Alfonso Cuarón. And, unlike his mainstream counterparts-which subject audiences to a barrage of ads-Vanco will screen a digital short film before features. John Vanco, a veteran of Cowboy Pictures, Miramax, and New Yorker Films, will program a mix of indies, arties, foreign films, and documentaries. Upstairs, there are two film-editing suites next door is a restaurant serving “Welsh rarebit, artisan Lancashire, double-smoked rashers.” In the lobby, downtown’s Posteritati gallery will exhibit vintage posters, while the concession stand serves “organic popcorn with rosemary butter.” The Waverly’s drop-ceiling has been ripped away to expose the vaulted, 50-plus-foot ceiling of a church, originally built in 1831. The cinema’s largest theater will be one of New York’s most impressive, with exposed brick and violet ambient lighting. Inside, there are three theaters (210, 110, and 65 seats)-with great sight lines, big, comfy chairs (“imported from France!”), and high-definition digital projection. The old Waverly Theater on West 3rd and Sixth Avenue, sung about in Hair and famous for launching the Rocky Horror Picture Show midnight feature, is now a beautifully refurbished cinema-and a powerful branding tool, too. And on June 17, the Independent Film Channel will open its shiny new IFC Center to lure screaming-well, whispering-cineasts. Then MTV plopped TRL in Times Square to lure screaming teens. First, the Today show opened a storefront studio to lure screaming tourists.
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